eleanor rigby - douglas coupland

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Posted by Brian Draper Thu, 16/09/2004 - 11:25am :: Books and Literature | more by Brian Draper

‘Death without the possibility of changing the world is the same as a life that never was.’

That’s the warning from Douglas Coupland in his new novel, Eleanor Rigby. His heroine is Liz Dunn, a lonely woman who’s unremarkable to the point of invisibility. Her life is as blank as her apartment, until, that is, the son she gave up for adoption crashes back into it …

As you’d expect from Coupland, the twists are cartoonish and the story has familiar, soulful themes: death, apocalyptic visions, signs in the sky, self-reinvention, Christian belief, and the now-and-not-yet tension of waiting for life to really start …

Jeremy, Liz’s son, has MS, and is a ‘teller’ – someone who sees life from a different perspective. He wants to wake people up from their soul-sleep (which is ironic as he sells beds): ‘When you become a zombie, your soul vanishes. There’s no heaven or hell for you – there’s absolutely nothing.’

He has visions, and one, in particular, is a parable within a parable. A group of farmers hear a voice from the sky and decide they don’t need to plant their crops, because the world is about to end and they’re promised a heavenly reward. But then the voice tells them that, because they have lost their belief in the possibility of change, it won’t end after all.

Jeremy sees dry bones coming down from the sky – an allusion, perhaps, to Ezekiel’s valley. And although he dies before explaining the vision, Liz – awoken to life by her son – sees the final instalment for herself, in which hers is the voice from above.

‘The farmers asked me, “What is our choice? And I said, 'You have to decide whether you want God to be here with you as a part of your everyday life, or whether you want God to be distant from you, not returning until you’ve created a world perfect enough for Him to re-enter.”’

Christians should be tellers, charged with the urgent responsibility of showing what it means to bring God alive, here and now. As Coupland told me last year: ‘The moment you stop thinking about it, it’s game over. You don’t just renegotiate your relationship with God every Sunday, or even every day. Every moment of your life you should be thinking about it.’

Eleanor Rigby is another, impassioned wake-up call - for those with ears to hear.

Brian Draper

additional resources

For Brian Draper's full interview with Douglas Coupland, following the publication of Hey Nostradamus! last year, click here.

Read our CWC on Hey Nostradmus!.

Read our CWC on All Families Are Psychotic.

Read Brian Draper's interview with Douglas Coupland which first appeared in Third Way in 1997, called 'Engaging in Reflection'.

Douglas Coupland is presenting a one-man play called September 10th - A social history of the 1990s - at the RSC in Stratford in October.

www.coupland.com

Eleanor Rigby
Posted by  Anonymous on Wed, 20/10/2004 - 2:07pm.
Just finished reading this - As with all his books, I put it down reluctantly at the end and now feel inspired, sad and enormously challenged. Why is it often those 'outside the Church' who can articulate so well the human condition? Eleanor Rigby had a similar effect on me that 'Girlfriend in a Coma' did - Coupland, is for me anyway, one of the great prophets of our generation - it's great book and the final invitation from 'the farmers' (quoted by Brian) really spoke to me in a langauge that I wish heard more on Sunday's!

Read it and weep.
Eleanor Rigby II
Posted by  Anonymous on Sun, 06/03/2005 - 8:02am.
It's funny that you ended your comment with "read it and weep," because that is precisely what I did. Reading this book was like having a trigger constantly pulled at my direction. Generally, with most books I read, I feel lucky when I experience even one of these triggers. Every word in this book was a reassurance that we as humans aren't just puffed up cardoard boxes that could be completely flattened out when stepped on. Rather, that the complexity and depth of our condition spanse further than we even know how to control or understand. Needless to say, I loved it.

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With love (and extra resources, group-work ideas and links...)
from
www.licc.org.uk/culture.